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    Mona Lisa Personality Type, MBTI

    What is the personality type of Mona Lisa? Which MBTI personality type best fits? Personality type for Mona Lisa from Luca 2021 and what is the personality traits.

    Mona Lisa
    ENTJ

    ENTJ (8w7)

    Mona Lisa personality type is ENTJ, or the "Enthusiast" personality type.

    ENTJs are very focused on their goals. They are disciplined and goal-oriented. They are very concerned with their projects and their time management. They are extremely focused on making sure they get the most out of every hour of every day. They take great pride in their accomplishments, and these accomplishments will be visible to everyone around them. They will always be working toward the next challenge, and they are rarely satisfied with anything less than perfection. They see themselves as always improving, both in their work and in other areas of their life. The only thing ENTJs will ever settle for is "good enough." They are determined to be the best at everything they do, and they often succeed at this. This can be a problem in relationships because they tend to be very critical of their partners. If you are in a relationship with an ENTJ, you will probably notice that you spend more time justifying yourself than your partner does. There is no question that you are doing your best, but your ENTJ partner will find fault with your work ethic or your ability to get things done.

    ENTJs are the most goal-oriented of all the personality types.

    The Mona Lisa is a half-length portrait painting by Italian artist Leonardo da Vinci. Considered an archetypal masterpiece of the Italian Renaissance, it has been described as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting's novel qualities include the subject's enigmatic expression, the monumentality of the composition, the subtle modelling of forms, and the atmospheric illusionism. The painting is probably of the Italian noblewoman Lisa Gherardini, the wife of Francesco del Giocondo, and is in oil on a white Lombardy poplar panel. Leonardo never gave the painting to the Giocondo family, and later it is believed he left it in his will to his favored apprentice Salaì. It had been believed to have been painted between 1503 and 1506; however, Leonardo may have continued working on it as late as 1517.

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