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    Bernarda Alba Personality Type, MBTI

    What is the personality type of Bernarda Alba? Which MBTI personality type best fits? Personality type for Bernarda Alba from La Casa De Bernarda Alba and what is the personality traits.

    Bernarda Alba
    ESTJ

    ESTJ (1w2)

    Bernarda Alba personality type is ESTJ, meaning that she is an extrovert, a realist and an action-oriented leader.

    It is not a mistake to classify her as a "Type A" personality, because she is focused on the opposite of what she feels.

    This is a paradox that makes her perfect for leading the company.

    In order to understand the ESTJ personality type, it is important to know the key characteristics.

    Bernarda Alba's personality traits

    1. Exertion

    Bernarda Alba is an ESTJ because it is her nature to exert herself in every situation.

    She puts herself in the center of any project and tries to bring everything to its highest point.

    2. Emotionality

    Bernarda Alba can be perceived as a realist, but she is very emotional in some situations.

    This aspect is not common among ESTJs, but Bernarda Alba does not hide her feelings.

    3. Orderliness

    The ESTJ personality type is practical and organized. In addition, Bernarda Alba is also focused on this aspect.

    She does not like to be late for appointments or to leave things unfinished.

    The House of Bernarda Alba is a play by the Spanish dramatist Federico García Lorca. Commentators have often grouped it with Blood Wedding and Yerma as a "rural trilogy". Garcia Lorca did not include it in his plan for a "trilogy of the Spanish land". Garcia Lorca described the play in its subtitle as a drama of women in the villages of Spain. The House of Bernarda Alba was Garcia Lorca's last play, completed on 19 June 1936, two months before Garcia Lorca's death during the Spanish Civil War. The play was first performed on 8 March 1945 at the Avenida Theatre in Buenos Aires. The play centers on the events of a house in Andalusia during a period of mourning, in which Bernarda Alba wields total control over her five daughters Angustias, Magdalena, Amelia, Martirio, and Adela. The housekeeper and Bernarda's elderly mother also live there. The deliberate exclusion of any male character from the action helps build up the high level of sexual tension that is present throughout the play.

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