Carl Palmer Personality Type, MBTI
What is the personality type of Carl Palmer? Which MBTI personality type best fits? Personality type for Carl Palmer from Classic Rock and what is the personality traits.
ISTP (9w1)
Carl Palmer personality type is ISTP, respectively.
The ISTP personality type has a great sense of adventure, and loves to try new things. They are curious, analytical, and even a little bit introverted. They are often described as “unassuming” by their peers, and are said to be “not the type to get in the way of things.” They get along well with everyone, but are typically not very charismatic.
ISTPs are usually pretty laidback, and are generally not the type to overreact to things. They are very independent, and are not easily influenced by others. This is why ISTPs are often described as being “unassuming” because they do not have a loud personality, and generally just go with the flow. This is why ISTPs often get along well with people who are also ISTPs, because they are very easygoing, and not easily bothered by others.
Like all other personality types, there are exceptions to the rules. ISTPs can be quite outgoing when they need to be. ISTPs can also be very manipulative in order to get what they want.
Carl Frederick Kendall Palmer (born 20 March 1950) is an English drummer and percussionist best known as a founding member of the rock supergroups Emerson, Lake & Palmer and Asia. He has toured with his own bands since 2001, including Palmer, the Carl Palmer Band, and currently, Carl Palmer's ELP Legacy.
Having played with a variety of bands, including various anonymous schoolboy bands as a youth, Palmer's style was developed from a wide range of musical influences. Among Palmer's early drumming influences were Joe Morello, Philly Joe Jones, Art Blakey, Gene Krupa and Buddy Rich. Inspiration from their techniques can be heard in his own drumming style, which was initially influenced more from jazz than any other genre. Known for his technical prowess, another of Palmer's trademarks included solos in many of his performances. His later work in Asia saw a more basic approach, although he began to play double bass drums more frequently during that period.
